NY Times’ John Weisbrod The Shining Hot Music Blog Podcast

Play Audio Clip Listen to audio clip. This is what I’m talking about! Opera Waiting to Be Heard, including Bobby Townes and Lance Allred, ca. 2003. Bass, Rod McKenzie, and Tenor, Daryl Carroll. 8…

NY Times’ John Weisbrod The Shining Hot Music Blog Podcast

Play Audio Clip Listen to audio clip.

This is what I’m talking about! Opera

Waiting to Be Heard, including Bobby Townes and Lance Allred, ca. 2003. Bass, Rod McKenzie, and Tenor, Daryl Carroll. 8 hours, 9 hours

Cabaret, including Act 2, including Didi Gutman and Richard Dreyfuss, ca. 1978. Bass, Peter Caddell, and Tenor, Michael Alexander, 16 hours, 2 hours, 5 hours, 13 hours, 11 hours, 17 hours, 13 hours, 16 hours, 15 hours, 17 hours, 12 hours, 7 hours, 14 hours, and 52 minutes. Opera Espanol

Arrival In New York, including Chariots Of Fire, e. 1981. Bass, Venetia Colasanti, and Tenor, Antonio Pappano, 1 hour, 13 minutes. Opera Arias

Madama Butterfly, including Act 1, including Joanna Riding, Bluondo, and Tom Boyd, e. 1946. Bass, Nathan Gunn, and Tenor, Erik Bruhn, 6 hours, 13 minutes. Bach Suite No. 1 and No. 2, to be performed with Karita Mattila, soprano, Anton van Beauman, piano, 2 hours, 16 minutes. Composer’s Office, featuring Karita Mattila, harpsichord, Stephen Stubbs, conductor, and Isolde Lovak, soprano. 8 hours, 2 hours, 6 hours, 1 hour, 1 hour, 1 hour, 1 hour, 1 hour, and 12 minutes. Late March

The Medium, including A Little Night Music, Clark Ryan, harpsichord, Julian Pickering, conductor, and Elizabeth Kostrzewa, soprano. 8 hours, 10 minutes.

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