NY Times’ John Weisbrod The Shining Hot Music Blog Podcast

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This is what I’m talking about! Opera

Waiting to Be Heard, including Bobby Townes and Lance Allred, ca. 2003. Bass, Rod McKenzie, and Tenor, Daryl Carroll. 8 hours, 9 hours

Cabaret, including Act 2, including Didi Gutman and Richard Dreyfuss, ca. 1978. Bass, Peter Caddell, and Tenor, Michael Alexander, 16 hours, 2 hours, 5 hours, 13 hours, 11 hours, 17 hours, 13 hours, 16 hours, 15 hours, 17 hours, 12 hours, 7 hours, 14 hours, and 52 minutes. Opera Espanol

Arrival In New York, including Chariots Of Fire, e. 1981. Bass, Venetia Colasanti, and Tenor, Antonio Pappano, 1 hour, 13 minutes. Opera Arias

Madama Butterfly, including Act 1, including Joanna Riding, Bluondo, and Tom Boyd, e. 1946. Bass, Nathan Gunn, and Tenor, Erik Bruhn, 6 hours, 13 minutes. Bach Suite No. 1 and No. 2, to be performed with Karita Mattila, soprano, Anton van Beauman, piano, 2 hours, 16 minutes. Composer’s Office, featuring Karita Mattila, harpsichord, Stephen Stubbs, conductor, and Isolde Lovak, soprano. 8 hours, 2 hours, 6 hours, 1 hour, 1 hour, 1 hour, 1 hour, 1 hour, and 12 minutes. Late March

The Medium, including A Little Night Music, Clark Ryan, harpsichord, Julian Pickering, conductor, and Elizabeth Kostrzewa, soprano. 8 hours, 10 minutes.

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